The late choreographer and high priestess of Tanztheater Pina Bausch once said she was not interested in how people move but in what moves them.
As part of the London 2012 Cultural Olympiad, the Barbican Centre and Sadler’s Wells will stage Bausch's 10 Cities.
Peter Aspden talks to Alistair Spalding, artistic director of Sadler’s Wells and a friend of Bausch, and to FT dance critic Clement Crisp, who “owns to a mistrust of Tanztheater, or dance-theatre, or Euro-tedium – call it what you will.”
Each week we bring you the story of a song, from its origins and early recordings through cover versions good and bad. Each episode is written and presented by an FT music critic or contributor. Formerly called FT Arts.