It premiered at Cannes to cheers and boos, and went on to win the Palm D’Or. Some called it a masterpiece; others dismissed it as overblown nonsense. But what’s so divisive about Terrence Malick’s ambitious new film?
It’s a coming-of-age story set in 1950s Texas but it also has long sequences that explore the natural world and the origins of the universe. Does it work? And is its strong religious strain likely to turn off non-believers?
Raphael Abraham is joined in the studio by Nick James, editor of Sight & Sound magazine, Peter Aspden, FT arts writer, and Leo Robson, film critic.
Each week we bring you the story of a song, from its origins and early recordings through cover versions good and bad. Each episode is written and presented by an FT music critic or contributor. Formerly called FT Arts.